Alexander Lewis has forged a unique career, having performed around the world in both opera and musical theatre.

Operatic performances include: Laca in Jenufa for The Santa Fe Opera; Count Danilo in The Merry Widow with West Australian Opera, Opera Australia and State Opera South Australia; John Wormley in the world premiere and return seasons of Crossing for The American Repertory Theatre in Boston and BAM’s New Wave Festival in New York; the title role of The Nose with Opera Australia, the Komische Oper Berlin, the Royal Opera House Covent Garden and The Metropolitan Opera (HD Live Broadcast); Hoffmann in Les contes d’Hoffmann and Gritsko in The Fair at Sorochyntsi with the Komische Oper Berlin; Tamino in Die Zauberflötewith West Australian Opera; Flask in Moby Dick with Washington National Opera; St. Brioche in The Merry Widow (HD Live Broadcast) and Borsa in Rigoletto (HD Live Broadcast) for The Metropolitan Opera.

Alexander’s musical theatre credits include: Tony in West Side Story for Handa Opera on Sydney Harbour (Helpmann Award Nomination); Tateh in Ragtime for The Production Company; George in Sunday In the Park with George for the Victorian Opera Company in Melbourne; Candide in Candide with Sydney Philharmonia Choirs; Enoch Snow in Carousel for Houston Grand Opera; Raoul in The Phantom of the Opera for the Really Useful Group (as well as The Phantom understudy); Anthony Hope in Sweeney Todd with Opera Australia and Frederick Barrett in Titanic with Seabiscuit Productions.

Alexander more recently performed the role of Anatoly in the concert version of Chess.